As I mentioned, the shape control alone covers a large spectrum of sounds. I was able to get a very tight, yet thick and aggressive sound from the TH30H. Once I did get it there, it sounded absolutely amazing. I had to do a bit of tone sculpting to get it to a point where I felt it was a modern metal sound. So, I put an EQ pedal in front of the amp just to be able to shape the tone a bit more. There is no EQ control on the dirty channel. These are all accessed with the simple turn of the shape control on the amp.ĭialing in a more modern metal sound does take some finessing. The TH30H also covers a wide spectrum of different sounding gains. The TH30H is no different and embodies the signature Orange sound perfectly. These iconic amps are known for their bright high-end and big, round bottom-end with enough barking midrange to spare. Orange amps are more known for their vintage sound, but there are plenty of modern metal bands that use them to great effect. For chugging riffs, that is really all you need. It is loud, aggressive, and in your face. It takes away the guesswork sometimes involved in figuring out when tubes need to be replaced.Īs far as death metal goes, I think the 6505 does exactly what it needs to. This is such a small feature, but one that I always appreciate. The 6505 also features Tube Status Indication (T.S.I.) which shows you that your tubes are still in good health and when they need to be replaced. But it is a nice feature of the amp even if it isn’t the most amazing reverb around. While playing death metal, you aren’t likely to use a whole lot of reverb anyway. It is a digital, plate-style reverb and isn’t the best I have ever heard. Pulling back to 5-watt, I found the sound to tighten and clean up a bit and I no longer noticed the saturation at high volumes. The amp does become quite saturated at higher volumes and 20-watts. At 1-watt the amp is also still pretty loud, but to me, this is more of a practice setting rather than a gig setting.Īnother use for the attenuation, other than power output, would be tone control. At 5-watts, the amp managed to roar and scream without losing any sound quality. The 6505 also has an attenuation switch to take it down to 5 and even 1-watt. Switching to the lead channel, the sound becomes thicker and really cuts through the mix. It is certainly among the louder 20-watt amps I have ever played. The sound this amp produces is very fat, aggressive, and loud. The Mini Head is the same feature and sound-rich amp as the bigger 6505 version, just in a much more portable package. Sporting 4 Bass Amp presets, beginner bassists can easily dial in chugging bass riffs, groovy and deep basslines on the go.īias Amp 2’s features important bass amp design parameters such as preamp tubes, shelf frequencies, biasing, and power supply for tweaking a custom bass guitar sound.Even though the Peavey 6505 wasn’t originally intended as a metal amp, it does metal so well that it was quickly adopted by many metal bands. Its metal bass VST iteration is equally formidable for dialing in authentic bass guitar tones.Ī simple and no-frills attached plugin, Bias Amp 2 can easily dial in the quintessential bass amp simulator sound. Positive Grid Bias Amp 2 is a popular bass plugin used by metalheads for sprucing up their electric guitar tracks. What’s more, this metal bass plugin comes with an external IR loader, hence, you can import hundreds of bass impulse responses and tweak your bass guitar tone to no abounds. Cerberus Bass Amplifikation also features a compressor, and parametric and graphic EQ that offers complete tonal control so that you can turn up the dial in the Drive amp type and revel in total bass carnage.
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